Tag Archives: book-review

How to Say Babylon by Safiya Sinclair

My book group chose this book a few months ago and I was dragging my heels, putting off reading another memoir of escape from childhood. But I’m a good book club member so I took it out of the library. Before I had a chance to start reading, someone told me that the audio version of How to Say Babylon was wonderful, so I found it on Audible. I’m so glad I did! Safiya Sinclair is a poet, and her writing is sublime. Since she reads the audio version in her lilting Jamaican accent, it’s a double treat. I highly recommend it. She reads slowly and clearly, so the audio version takes longer than reading the book, but make time for it if you can.

Sinclair grew up in a Rastafarian family, the oldest of four children. Her charismatic father was a reggae musician who was in a popular band for a while, playing at hotels and events in Jamaica, sure he would soon make the big time. He never received the success he felt he deserved, lost the rights to his music in shady deals, and became angry and bitter. The family bore the brunt of his fury and disappointment. His religious beliefs gave him cover for serial adultery and the abuse he inflicted on his wife and children. Safiya alternately yearned for his approval and despised him for his hypocrisy and arrogance.

Rastafarians believe that Haile Selassie, former emperor of Ethiopia, embodies the second coming of Jesus Christ. Very briefly, their religion requires them to be vegetarians, live in harmony with nature, keep their hair in dreadlocks, and smoke weed for spiritual purposes. The Devil inhabits the non-Rastafarian world, known as Babylon. Safiya’s father, in his anger, took these beliefs to an extreme, sometimes keeping the children imprisoned in their home, ostensibly trying to protect them from the evils of Babylon. In turn, Rastafarians were persecuted for their beliefs and appearance.

Safiya and her three siblings were brilliant, winning Caribbean-wide academic awards and always first in their classes. Their mother was a gifted teacher, often tutoring neighborhood children, whose parents wanted to know the secret of the Sinclair brilliance. But aside from occasional visits to relatives, their lives were sealed behind locked doors. Their father’s red belt kept them in line.

From an early age, Safiya was a gifted writer and poet, using literature to express profound emotions that were not acceptable in her family. Her journey to poetic and personal freedom is heartbreaking to read at times, but an important testimony to the power of literature in our lives.

Vigil Harbor by Julia Glass

I’ve read most of Julia Glass’s novels because I love the way she develops characters. The plots are often slightly improbable, but the characters bring it off. Somehow, I missed Vigil Harbor when it came out in 2022 and recently found a used copy at my local bookstore. I was absorbed in it almost immediately. The book is set in the near future, with all the attendant issues of our warming planet.

Vigil Harbor is a town on Boston’s North Shore, an old fishing village that evolved into a wealthy enclave with a mainly white population. The residents feel lucky to live there, even though floods, severe storms, and high sea levels threaten the shore and wetlands, as they do everywhere on the coasts. People adapt as best they can. There are also threats from eco-terrorists, and that becomes an important part of the story.

When the novel opens, several marriages in the town have fractured and several families have suffered other kinds of losses. Austin, a local architect, hopes that the divorces will mean more work for him to build and renovate houses. His stepson, Brecht, home from college after a traumatic incident in New York, is trying to recover his equilibrium. Brecht is working for Celestino, the local landscaper, one of the few working-class people who live in town. A stranger arrives who knew Celestino years ago, someone who stirs up dangerous memories. Celestino is frightened as he watches Ernesto ingratiate himself with all the women. Another new arrival in town is Petra, posing as a journalist. She contacts Austin about writing a biography but her real motive is revenge for his abandonment of a former lover. In a lovely, fantastical touch, the mermaid Issa takes human form to warn the world about damage to the ocean. Her innocence is a heartbreaking contrast to the rest of the characters, who are anxious and uneasy in a world of ongoing catastrophes. Each chapter is told from the point of view of a different person, their stories gradually interlocking until the explosive ending.

What I love about Julia Glass’s novels is her generous spirit towards her characters, the way she gives them back stories and fully formed lives, inviting us to share their dreams and fears. There’s real life on the page, and that’s what I look for in a novel.

Now that I’ve checked my Goodreads list, I can see that I’ve read all her novels–I guess I’m a fan. If you haven’t read any of her novels, I’d recommend starting with Three Junes.

Three Junes

The Whole World Over 

I See You Everywhere

The Widower’s Tale

And the Dark Sacred Night

A House Among the Trees

Unlikely Spy Fiction

I’ve read several books in the last few years about ordinary people recruited as spies. I think it’s a mini-genre. Have you noticed? Here they are in order of how much I enjoyed them.

This past year, I read Gabriel’s Moon by William Boyd, about a young man, a travel writer, who accidentally scores an interview with Patrice Lumumba, newly elected president of the People’s Republic of the Congo. (The time is the early 1960s.) The next thing Gabriel knows, Lumumba’s been assassinated and his interview has been buried by the press. Suddenly he acquires a handler from MI6 and his life is turned upside down. A frightening incident from Gabriel’s childhood ratchets up the tension. Boyd is a lovely, graceful writer; this one’s a keeper.

Then there was Transcription by Kate Atkinson, in which a young woman is recruited during World War II to keep an eye on British Fascists. Years later, when she’s sure that part of her life is a thing of the past, it catches up with her. Atkinson’s one of my favorite authors and I thought Transcription was quite good. Anything Atkinson writes about World War II is excellent.

I enjoyed Ilium by Lea Carpenter, in which an unnamed young woman, looking for adventure, falls in love with, Marcus, a sophisticated older man. Just when everything is going well, he asks her for a “favor.” Marcus turns out to be a spy, involved in a CIA/Mossad plot called Operation Ilium. Our narrator agrees to help; she becomes the unlikely art advisor to a wealthy Russian family on Cap Ferrat. Various unreliable players ratchet up the suspense as our narrator tries to find the moral center.

And lastly, there’s Ian McEwan’s Sweet Tooth, set during the Cold War, about a young woman recruited by MI5 to encourage writers with the right sort of politics to keep writing. Some reviewers took it seriously as a spy novel, some thought it was a spoof of spy novels. I thought it was lightweight McEwan, moderately entertaining, a good book for the summer.

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Rachel Calof’s Story

Rachel Calof's StoryLike many other immigrant groups, Jews took advantage of the US government program that helped settle parts of the Midwest and West by giving a portion of free land to people who agreed to farm it. That’s how Jews came to North Dakota, a frozen, hostile, windswept, and often heartbreaking place to be a pioneer. In 1894, a young Russian woman named Rachel Bella Kahn came to the US to marry, sight unseen, a young man named Abraham Calof, who was living with his family in northeastern North Dakota.

New Yorkers know about the role of the Lower East Side in Jewish life, often from family stories. Some of you may have been to the Tenement Museum which gives such a vivid sense of what life was like not just for our Jewish forebears, but for other immigrant groups as well. But there were Jews who didn’t stop in New York, who kept on going, and one of my favorite memoirs by a woman who traveled further west is Rachel Calof’s Story.

Rachel Bella Kahn was born in a shtetl (village) in Russia in 1874 and at the age of four, her mother died, leaving her the oldest daughter. By age eight, she was fully responsible for her two younger siblings. Her father eventually remarried, but it was not a good situation for Rachel and she was sent to another shtetl to live with relatives. As a dependent in another household, she knew she was in an awkward position, so when an immigrant gentleman in America sent a request to the village for a bride, it seemed like the right time for Rachel to move on. She undertook the arduous journey to New York, alone, and there she met Abraham Calof who had made the long train trip from his home in North Dakota to meet her.

Much to her delight, he seemed like a kindred spirit, and after a few weeks of acquaintance, they took the train west to North Dakota where his parents, two brothers, and two nieces had just settled with their families. Rachel is shocked by their unkempt appearance, their apparent ignorance; and her prospective mother-in-law’s unreasonable demands. They have all been living in 12×14 shacks in this desolate land, with the most primitive of furnishings and supplies. The prairies are barren and desolate; their only fuel for warmth in the frigid winters is dried cow dung. The night Rachel and Abraham arrive, they discover that their own shack has been blown upside-down by a windstorm and now has no roof. They must move in with her future in-laws. This is her introduction to a life of incredible travail and privation. In that day and age, of course, she is repeatedly pregnant, delivering her children on the wooden kitchen table, and nature, accidents of weather and fire, and errors of judgment take their toll. But Rachel is rarely daunted—she has an amazing ability to make the best of her situation.

How do we come to have this record? In 1936, Rachel Bella Kahn Calof purchased a writing tablet and began to reconstruct her life story. She probably wanted to pass the memoir down to her descendants. It certainly never occurred to her that you or I would be interested in her life. She probably didn’t give it the name “memoir.” According to her family, she rarely discussed her past and she never kept a diary. She wrote her story straight out in Yiddish with rarely a change of wording, as if it had been forming in her mind for years, just waiting until she had time to set it down. We are richer for having this narrative about one brave Jewish woman’s experience. As she writes at the end of her story: “I had traveled a long and often torturous way from the little shtetl in Russia where I was born. It wasn’t an easy road by any means, but if you love the living of life you must know the journey was well worth it.” It’s a remarkable and absorbing account. I’ve picked up this book over and over, happy to be in the company of such an extraordinary woman.

Calof, Rachel and J. Sanford Rikoon. Rachel Calof’s Story. Indiana Univ. Press, 1995.

Necessary Trouble by Drew Gilpin Faust

Necessary Trouble

You may recognize the title of this book as part of a quote from the incomparable Civil Rights activist John Lewis. The phrase refers to the important work of upending racial discrimination. Lewis practiced raising “necessary trouble” all his life. He was an active force in the Civil Rights movement beginning in the 1960s and served in Congress from 1965 to his death in 2020.

“Thank you for getting into trouble, necessary trouble” is one of the epigraphs in Drew Gilpin Faust’s new memoir Necessary Trouble: Growing Up at Midcentury. It was Lewis’s comment to her on reading Faust’s memoir. She, too, participated in the Civil Rights movement and spent her adult life probing the events of the Civil War and its aftermath. She grew up in the horse country of northern Virginia in the 1950s, a rebellious daughter who disdained the Southern Belle upbringing her mother wanted for her. She was much more attracted to the free and independent life her brothers were allowed. But, “it’s a man’s world,” her mother always told her, “and you’d better get used to it.” She fought with her mother all her life over what was appropriate behavior. She writes that “…we never settled the larger part of the argument that was what we had instead of a relationship.” Necessary Trouble is a coming-of-age memoir from a time (the 1960s) when coming to maturity meant abandoning the mores and strictures of our mother’s lives and plunging headlong into another world.

At the age of nine, she wrote to President Eisenhower asking him to address the issue of equal rights for African-Americans. From an early age she disliked the inequality she saw growing up. A photocopy of her letter is on the opening pages of the book. She was lucky to attend schools that encouraged women and gave them the freedom to follow their interests and their passions.

During her college years at Bryn Mawr she spent the Freedom Summer of 1964 traveling in the South with other students; she skipped midterms to protest the Vietnam War; and she became a historian of the Civil War to understand the origins of U.S. racial justice issues. Faust and I are almost the same age so I enjoyed the chapters on the social history of the 1960s. They were such turbulent times! Her succinct and evocative description of what it was like to live through those times brought it all back for me. Faust brings her memoir up to the year 1968. There’s certainly more than enough to enjoy and think about in what she’s written but I suspect that at some point she’ll take us further. She was, after all, the first woman president of Harvard, from 2008 to 2018 and the author of several acclaimed books on the Civil War, including the outstanding This Republic of Suffering: Death and the American Civil War.

Several months ago I had the pleasure of hearing Faust speak about her life and her memoir to a full house at the incomparable Labyrinth Books in Princeton. She was interviewed by former Princeton president Shirley Tilghman, another brilliant, formidable woman. The room was full and there was a wonderful sense of ease between them, these women who had accomplished so much. There was no posturing, just a genuine sense that there was so much to be done and they were so glad that they had had a part in it.

  

The Secret Hours by Mick Herron

Secret HoursI’m a big fan of the Slough House series and have read or listened to them all with great delight. Mick Herron’s plots about MI5 agents are satisfactorily convoluted and the characters are well distinguished from one another by their quirky–sometimes loathsome–personalities and politics. His new book, The Secret Hours, a standalone MI5 thriller, is related in plot and character to the Slough House books and filled with the same cloak-and-dagger intrigues, betrayals, and clever writing. Some of the current Slough House characters show up in earlier time periods so we finally learn their backstories although since they all change names as they move through their careers, Herron keeps readers guessing. The writing, as always, is witty and hilarious. Here’s an example, a description of the participants attending an oversight committee meeting:

“One or two were capable of independent thought, but when the whip came down, none would throw themselves in front of a foregone conclusion. All over Whitehall, the matchstick remains of once promising careers warned of the consequences of doing that.”

The book opens with the botched abduction of Max, a sixty-something former spook who’s been hiding in plain sight in a remote village in Devonshire since the nineties. The plot travels back and forth between today and 1994 to unravel the reason for his abduction, with Herron’s usual inter-office intrigue and backstabbing. Like the Slough House series, the main characters–Griselda and Kyle–are stuck in a backwater doing pointless, repetitive work until they stumble on the juicy nugget of Max’s history. Who sent them this file and why? Griselda and Kyle know they are putting their admittedly second-rate careers in jeopardy, but they long to do something that will put a sharp stick in the eye of the superiors who exiled them to the meaningless project Monochrome.

Flashbacks to Max’s spy days in Berlin reveal the earlier history of Jackson Lamb, the character that Slough House fans love to hate. (He’s brilliantly played by Gary Oldman in the Apple TV series). David Cartwright, grandfather of River Cartwright–everyone’s real favorite character–also plays a role. You don’t need to have read the other Slough House books to enjoy this one, but if Herron’s special brand of the cerebral and ribald appeals to you in this book, the Slough House series awaits.