Monthly Archives: May 2015

Wednesday at Book Expo 2015

This is one of my favorite events of the year–a chance to meet authors and hear about forthcoming books, even take some home. The best. Today was the opening day, a half day really, starting at 12:30 with Laura Miller of salon.com interviewing Jonathan Franzen. A big crowd as you can imagine. Franzen had just come back from a birdwatching trip in east Africa and acknowledged that he was having a hard time inserting himself back into talking about the book, Purity, due out Sept. 1. He was, I’m going to say it, more than just a little inarticulate. I took notes as best I could and some interesting tidbits are below.

He talked about how each novel gets harder to write, because the early novels mine the easily accessible material, the stuff that’s most present. With each novel, he digs deeper, ultimately into areas that are difficult to write about. He talked about process–how he starts with an outline but once he starts writing  he always realizes that the book as outlined will never work. In fact, he wrote the first chapter of Purity quickly, based on the outline and was stuck; he didn’t go back to it until a year later.

Miller asked questions about the relationship between plot and character and Franzen spent some time discussing the conundrum of getting the reader to turn the pages in a novel where character takes precedence over plot.

An interesting note: the German edition of the book can’t be called Purity–the word carries too much baggage there.

From that interview I went up to the exhibit floor and waited on line to get a signed poster from Maira Kalman from her new book Beloved Dog. I told her that I had seen the small collection she curated at the Cooper-Hewitt Museum this winter and how interesting it was. She asked if I remembered seeing Toscanini’s pants and she told me that they belonged to her. She loaned them to the museum for the exhibit. (She also has the suit jacket.) I’d love to know what else she’s collected over the years. Of course I told her how much I loved the New Yorker “stans” cover.

Late in the afternoon, laden down with advance copies of books and some nifty canvas bags, I made my way back home. I’ll be back to the Javits at 9 tomorrow.

The Crotchety Reader

We all have things that we love and things that we hate in novels. I really really dislike bad grammar and words used  incorrectly.   I’m not talking about books published by small presses–this happens in books published by the big trade houses. If a novelist can’t use the language correctly why should I read the book? One of the reasons I read is to enjoy the use of language to create meaning and emotion. It’s like art or music, isn’t it? Artist needs to know their craft.

Two examples of what I’m talking about, just from books I’ve tried to read this week. I won’t name them. In the first, the author writes about a couple whose car breaks down. They abandon it and a day or two later they go back to “recuperate” it. This was not written in jest.  In the other example, from a historical novel, two sisters are in a palace and they are given a room “donning the garden.” Neither of these books is a first novel; both were published by big trade houses. In both cases I stopped reading the books.

I know agents who do line edits of manuscripts. Authors’ acknowledgements are filled with thanks to editors who did such a great job. I feel like I’m missing something–why did those mistakes not trigger a correction?

I’ve learned to skip over incorrect uses of some words, like “enormity” and “fulsome;” I’ve turned a blind eye to “graduated college.” These misuses signal a change in the way the language is used, even if I’d prefer not to embrace those changes. But the two examples I’ve given, above, of words used incorrectly are not in that category.  They’re wrong! Enough carping. Next novel, please…

Other books I’ve been reading…

I intend to blog about every book I read, but writing about reading is very different than thinking about what you’ve read. The woolly thoughts in my head often don’t translate easily to words that work on paper. But that is, after all, what  writing is all about and it’s the practice that makes it happen.  I recently spent the afternoon with a writer friend from Israel, Pnina Moed-Kass. Pnina goes to the gym at 6:30am every morning, returns home to eat a big breakfast, and then sits down to write until 3pm. Of course, that doesn’t happen every single day, but it’s Pnina’s goal and she has some great children’s and YA books to show for it.

Even after  a fit of self-disciplinary angst after seeing Pnina, I knew I would not write individual blog posts about the books I’ve been reading. I decided that in order to get back on track, I’d write in one omnibus post about a few of the books I’ve read recently. Here they are, with comments  long and short.

leaving before the rainsLeaving Before the Rains Come by Alexandra Fuller (Penguin, 2015)
I’ve read and loved all of Fuller’s memoirs: Don’t Let’s Go To the Dogs Tonight, Cocktail Hour Under the Tree of Forgetfulness, and Scribbling the Cat. “Love” is an awkward word to use with Fuller’s books since they contain so much pain, but it’s her ability to depict emotional states that makes her books so engrossing. This latest memoir may just be her best. Fuller’s childhood in Africa, living in countries that shucked off the British colonial yoke, was full of violence, but her parents stayed and moved from one not-quite-safe place to another. Their commitment to living on the edge became the way that Alexandra saw her own life: always at risk, fueled with adrenaline, and supported by her father’s pragmatic and fatalistic attitude. Her marriage to an American and move to Wyoming took her to a different place, physically and mentally, and ultimately she couldn’t make it work. Fuller, in addition to her talents in describing messy emotional states, is a great nature writer, and with Africa and Wyoming she has two of the most dramatic places to write about, and she does it very well.

leaving berlinLeaving Berlin by Joseph Kanon (Atria, 2015)
Kanon’s thrillers are mostly set just after World War II, in that messy period of anarchy and revenge. This one is set a little later, 1948, and concerns  Alex Meier, who is caught up in the Communist witch-hunts that were starting to upend people’s lives. He makes a deal with the CIA to work for them in East Germany; in exchange, he’ll return to his family with a clean slate. Alex thinks it will all be quite simple, after all, he’s not a trained spy, but almost immediately he’s caught up in a kidnapping and murder. East Berlin is still in post-War turmoil, with sspy agencies from several countries spying on each other. The double dealing makes Alex’s head spin and he works hard to find his footing. Filled with real characters, like Bertolt Brecht and Stefan Zweig, the twists and turns are fun to follow (or not!). I’ve read others by Kanon and always enjoy his atmospheric tales.

fighting chanceA Fighting Chance by Elizabeth Warren (Picador, 2015)
I listened to this and hearing Warren read it herself was a treat. She tells a great story about her fight for better bankruptcy laws and her Senate race in Massachusetts. From a career teaching law, she’s drawn into legislative battles over bankruptcy and other issues, especially when she joins the Congressional TARP oversight committee. She ends with the story of her bruising but successful campaign for Massachusetts Senator. I don’t want to get into politics here, but will just say that she’s a compelling politician who speaks up for working families with an uncommon blend of common sense, intelligence, and charisma.

buried giantThe Buried Giant by Kazuo Ishiguro (Knopf/Doubleday, 2015)
Not sure about this one. I kept hoping that it would get better, clearer, more compelling. Ishiguro’s story, set in the post-Arthurian Britain, about an elderly couple–Axl and Beatrice–who go in search of their son, encountering treachery and danger along the way. A mysterious fog has settled over the country clouding the landscape and clouding memory as well. As Axl and Beatrice travel some of the fog lifts and the many of the memories are painful. There is food for thought about the role of memory in our lives, but for me there were ultimately too many labored passages.

Chaucer 1386Chaucer’s Tale: 1386 and the Road to Canterbury by Paul Strohm (Penguin, 2014)
I never thought much about the kind of life that Chaucer lived, so this book was a revelation. A little dry, but very interesting. Chaucer married into a prominent family–his brother-in-law was the powerful and testy John of Gaunt–but he and his wife rarely lived together and he was estranged from his children. For a number of years, Chaucer had a position (gained through patronage) as the controller of customs at the Wool Wharf. The description of his dreadful accommodations, over one of the London gates, is sobering. In 1386,  the year that Strohm focuses on, Chaucer lost his patronage job and with it his housing. Without a job or a place to live he is forced to leave London and the intellectual and social milieu that nourished him, however, it did give him the space to write his masterpiece, Canterbury Tales. Strohm has an interesting section on the nature of audience in the 14th century that’s very much worth reading.