The Showgirl and the Writer by Marnie Mueller

Showgirl and the WriterOn April 11th I’ll be interviewing author Marnie Mueller on Zoom at 7pm EDT. Marnie’s new book is a surprising story, a combined memoir and biography (maybe a new genre?) about her own life and a life-changing friendship. Here’s a link to register; it’s free.

I met Marnie a few years ago, and she kept me posted about the book she was working on. It always sounded fascinating, so when it was published, I bought a copy. The full title is The Showgirl and the Writer: A Friendship Forged in the Aftermath of the Japanese Incarceration (Peace Corps Writers Press). It’s a great story and I knew right away that I had to write about it for this blog and interview her as well. Sometimes a book deserves to be read by a wide audience. As you can tell from the subtitle, it’s not a novel, but a memoir plus a biography. Keep reading…

Marnie tells the remarkable true story of two women, one white (herself) and one Asian (Mary Mon Toy), who forged a deep friendship based on the secrets they carried. Marnie, a Caucasian, was born in a Japanese incarceration camp during World War II because her parents had moved there to help make life more tolerable for the internees. Later, when her family moved to New England, Marnie learned that it was not a good idea to say she was born at Tule Lake Japanese Incarceration Camp. Many people didn’t know about the camps and were confused, convinced this little girl was fantasizing. It wasn’t much better to admit that you were Jewish. After the War, rampant anti-Semitism marked her in another way as an outsider. What experiences defined Marnie? It was hard for her to know. After college, she spent two years as a Peace Corps volunteer in Ecuador; worked in New York City as a community organizer; spent time as a folk and rock concert promoter; and was the program director for WBAI. She married and did her best to move on despite a persistent feeling of loss and disorientation.

In 1994, Marnie attended a meeting of a Japanese-American cultural organization where she met Mary Mon Toy, who had a successful Broadway and nightclub career as a Chinese actress and singer. Mary was beautiful, ambitious, and determined. Their friendship, born of shared experiences, was life-changing for both women, a chance to learn about each other and maybe to heal. Marnie became Mary Mon Toy’s friend and caregiver in her last years but as much as she thought she knew, there were secrets Mary kept even from her. The last section of the book reveals those secrets and the research journey that led Marnie to uncover Mary Mon Toy’s real life as the survivor of a Japanese internment camp who “passed” as a Chinese woman to avoid discrimination. 

You may not know much about the incarceration of the Japanese population on the West Coast during World War II. This shameful episode is not generally taught in American history classes. Maybe you read about it in Snow Falling on Cedars or Farewell to Manzanar. Concentration camps in the U.S.? Unthinkable but true. Join me on April 11th and learn more.

Rachel Calof’s Story

Rachel Calof's StoryLike many other immigrant groups, Jews took advantage of the US government program that helped settle parts of the Midwest and West by giving a portion of free land to people who agreed to farm it. That’s how Jews came to North Dakota, a frozen, hostile, windswept, and often heartbreaking place to be a pioneer. In 1894, a young Russian woman named Rachel Bella Kahn came to the US to marry, sight unseen, a young man named Abraham Calof, who was living with his family in northeastern North Dakota.

New Yorkers know about the role of the Lower East Side in Jewish life, often from family stories. Some of you may have been to the Tenement Museum which gives such a vivid sense of what life was like not just for our Jewish forebears, but for other immigrant groups as well. But there were Jews who didn’t stop in New York, who kept on going, and one of my favorite memoirs by a woman who traveled further west is Rachel Calof’s Story.

Rachel Bella Kahn was born in a shtetl (village) in Russia in 1874 and at the age of four, her mother died, leaving her the oldest daughter. By age eight, she was fully responsible for her two younger siblings. Her father eventually remarried, but it was not a good situation for Rachel and she was sent to another shtetl to live with relatives. As a dependent in another household, she knew she was in an awkward position, so when an immigrant gentleman in America sent a request to the village for a bride, it seemed like the right time for Rachel to move on. She undertook the arduous journey to New York, alone, and there she met Abraham Calof who had made the long train trip from his home in North Dakota to meet her.

Much to her delight, he seemed like a kindred spirit, and after a few weeks of acquaintance, they took the train west to North Dakota where his parents, two brothers, and two nieces had just settled with their families. Rachel is shocked by their unkempt appearance, their apparent ignorance; and her prospective mother-in-law’s unreasonable demands. They have all been living in 12×14 shacks in this desolate land, with the most primitive of furnishings and supplies. The prairies are barren and desolate; their only fuel for warmth in the frigid winters is dried cow dung. The night Rachel and Abraham arrive, they discover that their own shack has been blown upside-down by a windstorm and now has no roof. They must move in with her future in-laws. This is her introduction to a life of incredible travail and privation. In that day and age, of course, she is repeatedly pregnant, delivering her children on the wooden kitchen table, and nature, accidents of weather and fire, and errors of judgment take their toll. But Rachel is rarely daunted—she has an amazing ability to make the best of her situation.

How do we come to have this record? In 1936, Rachel Bella Kahn Calof purchased a writing tablet and began to reconstruct her life story. She probably wanted to pass the memoir down to her descendants. It certainly never occurred to her that you or I would be interested in her life. She probably didn’t give it the name “memoir.” According to her family, she rarely discussed her past and she never kept a diary. She wrote her story straight out in Yiddish with rarely a change of wording, as if it had been forming in her mind for years, just waiting until she had time to set it down. We are richer for having this narrative about one brave Jewish woman’s experience. As she writes at the end of her story: “I had traveled a long and often torturous way from the little shtetl in Russia where I was born. It wasn’t an easy road by any means, but if you love the living of life you must know the journey was well worth it.” It’s a remarkable and absorbing account. I’ve picked up this book over and over, happy to be in the company of such an extraordinary woman.

Calof, Rachel and J. Sanford Rikoon. Rachel Calof’s Story. Indiana Univ. Press, 1995.

Literary quote

Brooklyn Public Library entranceAfter I wrote that last blog post about Rita Dove’s poem for the Folger Shakespeare Library, I started thinking about the quote that I love on the main branch of the Brooklyn Public Library. Dove’s words about crafting a poem that would be inscribed on stone rather than read on the page made me see that BPL poem in a new light. It’s a perfect example of what she spoke about, how writing within constraints can produce something wonderful.

I first saw the poem when I was in high school and started visiting the main library to do research. The entrance to the building is so dramatic, taking charge of a busy corner on Grand Army Plaza. It’s still such a handsome building. There are several poems on the front–this one is on the right-hand side. When I read it, I had shivers, right from the first line. I was a voracious reader in my teens and it spoke to my love of literature. It made me feel that just by reading I was part of something important.

“Here are enshrined the longings of great hearts

And noble things that tower above the tide,

The magic word that winged wonder starts,

The garnered wisdom that has never died.”

—-by Roscoe C. Brown, a Trustee of the library

The Bomber Mafia by Malcolm Gladwell

Bomber Mafia

This is not my usual fare, although I do enjoy good war stories. A friend who’s doing research on the experiences of her father in World War II recommended it to me and I’m very happy she did. Gladwell tells the true story of a paradigmatic change in the U.S. Army Air Force before and during World War II. The Bomber Mafia was published first as an audiobook, complete with atmospheric music and sound effects, as well as clips of interviews with the main characters and military historians. Now it’s also available as a book, but I highly recommend the audio. It’s only about five hours and totally immersive. Gladwell is the narrator and does a sterling job.

The Air Force didn’t become a separate military service until 1947. During World War II it was part of the Army and called the Air Corps. In the 1930s, the military couldn’t figure out how airplanes were going to contribute to the next war; they saw them as support for ground troops. Maybe they’d need a few planes. However, a group of driven, idealistic, iconoclastic Air Corps pilots and officers had a vision that planes could take the place of ground troops by using high-altitude, daylight precision bombing. For their radical vision, they were known as the Bomber Mafia. They were brilliant, often eccentric officers; their personalities and disputes, plus Gladwell’s high-energy reading make it all very colorful and fun to listen to.

It was quite a stretch for the tradition-bound military services to accept this idea of high altitude, daylight bombing, but the Bomber Mafia persisted in trying to convince the generals. There was a new bombsight, invented by a Dutchman named Carl Norden, that had a high level of accuracy. It was a complicated analog computer that supposedly could put a bomb into a pickle barrel. If the Air Corps deployed this device, fewer pilots would be killed, fewer planes lost, and there would be fewer casualties on the ground. The Bomber Mafia thought the Norden bombsight was just the thing to win the coming war. The U.S. was the only country that had it. What could go wrong?

One of my uncles was a Seabee in the Navy, stationed on Tinian, part of the Mariana Islands in the Pacific that were used as bases to launch bombs against Japan. The Seabees built the airfields under enemy fire. There’s a family story about how his sister, my mother, sent him a jar of peanut butter. He turned up his nose and tossed it in the sand, but then crawled out to find it later when heavy shelling devastated their food supplies. After listening to The Bomber Mafia I now have a sense of what it must have been like for him. Haywood Hansell was the commander on Tinian, hoping to use the Norden bombsight for high altitude daylight bombing and validate the approach of the Bomber Mafia. He was sure Japan would surrender soon. It didn’t go so well for several interesting reasons, and he was replaced by Curtis LeMay, a traditionalist. LeMay had another approach that he was also sure was the right one.

I won’t tell any more of the details, except to say that Gladwell brings out the moral questions inherent in the story and the personalities of the principal protagonists (and antagonists). I’m pretty sure that if you start listening to this, you’ll be riveted to the end.

Folger Shakespeare Library podcasts

Rita DoveI’m thinking about going to Washington this spring to see the museum and a play at the Folger. I’ve always wanted to go–they have eighty-two First Folios!–and I think this will be the year. On other trips to D.C. I’ve concentrated on the art museums but it’s time to give the literary side of the city a go. In preparation, I’ve subscribed to the Folger newsletters and podcasts and last week I heard a podcast that was so wonderful that I had to pass it along to you. 

For the past several years, the Folger has been undergoing renovations, enlarging and reconfiguring their space. For their expanded garden they wanted a special poem that would appear on the marble berm that encircles the garden. Rita Dove was asked to write the poem. Dove was U.S. Poet Laureate for two terms from 1993-1995, the first African-American to receive that honor. It’s one of many honors she’s been given. She also tells a terrific story on the podcast about how she began to read and enjoy Shakespeare at an early age.

The podcast is wonderful because Dove talks about the difference between writing poetry for the page and writing for marble. She’s interviewed by Barbara Bogaev, who some of you may know as an occasional substitute for Terry Gross. I’ve always liked Bogaev–she has a lovely voice and is an excellent interviewer because she’s a warm and attentive listener. I was skeptical about how the topic could fill a podcast, but I was so wrong. Dove’s insights about how she thought about writing a poem for marble are a revelation. I will never look at an inscription on a building the same way again. And by the way, the poem, shown below, is wonderful; the imagery is just perfect for a garden. Here’s the link to the podcast.

Welcome Poem by Rita Dove for the Folger Shakespeare Library garden

Clear your calendars. Pocket your notes.

Look up into the blue amplitudes,

sun lolling on his throne, watching clouds

scrawl past, content with going nowhere.

No chart can calibrate the hush that settles

just before the first cricket song rises;

no list will recall a garden’s embroidery,

its fringed pinks and reds, its humble hedges.

Every day is Too Much or Never Enough,

so stop fretting your worth and berating

the cosmos – step into a house where

the jumbled perfumes of our human potpourri

waft up from a single page.

You can feel the world stop, lean in, and listen

as your heart starts up again.

                                          –Rita Dove

Necessary Trouble by Drew Gilpin Faust

Necessary Trouble

You may recognize the title of this book as part of a quote from the incomparable Civil Rights activist John Lewis. The phrase refers to the important work of upending racial discrimination. Lewis practiced raising “necessary trouble” all his life. He was an active force in the Civil Rights movement beginning in the 1960s and served in Congress from 1965 to his death in 2020.

“Thank you for getting into trouble, necessary trouble” is one of the epigraphs in Drew Gilpin Faust’s new memoir Necessary Trouble: Growing Up at Midcentury. It was Lewis’s comment to her on reading Faust’s memoir. She, too, participated in the Civil Rights movement and spent her adult life probing the events of the Civil War and its aftermath. She grew up in the horse country of northern Virginia in the 1950s, a rebellious daughter who disdained the Southern Belle upbringing her mother wanted for her. She was much more attracted to the free and independent life her brothers were allowed. But, “it’s a man’s world,” her mother always told her, “and you’d better get used to it.” She fought with her mother all her life over what was appropriate behavior. She writes that “…we never settled the larger part of the argument that was what we had instead of a relationship.” Necessary Trouble is a coming-of-age memoir from a time (the 1960s) when coming to maturity meant abandoning the mores and strictures of our mother’s lives and plunging headlong into another world.

At the age of nine, she wrote to President Eisenhower asking him to address the issue of equal rights for African-Americans. From an early age she disliked the inequality she saw growing up. A photocopy of her letter is on the opening pages of the book. She was lucky to attend schools that encouraged women and gave them the freedom to follow their interests and their passions.

During her college years at Bryn Mawr she spent the Freedom Summer of 1964 traveling in the South with other students; she skipped midterms to protest the Vietnam War; and she became a historian of the Civil War to understand the origins of U.S. racial justice issues. Faust and I are almost the same age so I enjoyed the chapters on the social history of the 1960s. They were such turbulent times! Her succinct and evocative description of what it was like to live through those times brought it all back for me. Faust brings her memoir up to the year 1968. There’s certainly more than enough to enjoy and think about in what she’s written but I suspect that at some point she’ll take us further. She was, after all, the first woman president of Harvard, from 2008 to 2018 and the author of several acclaimed books on the Civil War, including the outstanding This Republic of Suffering: Death and the American Civil War.

Several months ago I had the pleasure of hearing Faust speak about her life and her memoir to a full house at the incomparable Labyrinth Books in Princeton. She was interviewed by former Princeton president Shirley Tilghman, another brilliant, formidable woman. The room was full and there was a wonderful sense of ease between them, these women who had accomplished so much. There was no posturing, just a genuine sense that there was so much to be done and they were so glad that they had had a part in it.

  

The Secret Hours by Mick Herron

Secret HoursI’m a big fan of the Slough House series and have read or listened to them all with great delight. Mick Herron’s plots about MI5 agents are satisfactorily convoluted and the characters are well distinguished from one another by their quirky–sometimes loathsome–personalities and politics. His new book, The Secret Hours, a standalone MI5 thriller, is related in plot and character to the Slough House books and filled with the same cloak-and-dagger intrigues, betrayals, and clever writing. Some of the current Slough House characters show up in earlier time periods so we finally learn their backstories although since they all change names as they move through their careers, Herron keeps readers guessing. The writing, as always, is witty and hilarious. Here’s an example, a description of the participants attending an oversight committee meeting:

“One or two were capable of independent thought, but when the whip came down, none would throw themselves in front of a foregone conclusion. All over Whitehall, the matchstick remains of once promising careers warned of the consequences of doing that.”

The book opens with the botched abduction of Max, a sixty-something former spook who’s been hiding in plain sight in a remote village in Devonshire since the nineties. The plot travels back and forth between today and 1994 to unravel the reason for his abduction, with Herron’s usual inter-office intrigue and backstabbing. Like the Slough House series, the main characters–Griselda and Kyle–are stuck in a backwater doing pointless, repetitive work until they stumble on the juicy nugget of Max’s history. Who sent them this file and why? Griselda and Kyle know they are putting their admittedly second-rate careers in jeopardy, but they long to do something that will put a sharp stick in the eye of the superiors who exiled them to the meaningless project Monochrome.

Flashbacks to Max’s spy days in Berlin reveal the earlier history of Jackson Lamb, the character that Slough House fans love to hate. (He’s brilliantly played by Gary Oldman in the Apple TV series). David Cartwright, grandfather of River Cartwright–everyone’s real favorite character–also plays a role. You don’t need to have read the other Slough House books to enjoy this one, but if Herron’s special brand of the cerebral and ribald appeals to you in this book, the Slough House series awaits.

A Very Big Read

War and PeaceI don’t think it’s possible to read War and Peace in a casual way. It needs time, lots of time, and commitment. Also, it requires a good translation that helps the reader with the French passages, provides historical notes and the all-important list of characters. I had been eyeing War and Peace for years, but it wasn’t until a few years ago, when I saw the Sergei Bondarchuk film, made in the Soviet Union in the 1960s, that I thought I would give it a try. Watching that wonderful film (in three parts, many hours long) gave me an easier entrée to the story. Or maybe, now I didn’t have to read it. Was the film enough? Several years passed and it was always in the back of my mind: to read or not to read. And then I did it, signed up for a course to read War and Peace in eight weeks with twenty other folks and two discussion leaders. Some people in the class had read the novel before, others, like me, had never read it. One woman had read it three times!

Our assignment for the first class was the first two hundred pages. I started writing this post when the course began, last spring, sure that I would keep up every week with the novel and my reactions. Procrastination took over! Now it’s six months later. The same discussion leaders are planning a class on The Brothers Karamazov in the spring–another Russian classic I never read. The discussions we had about War and Peace were so terrific that I think I’ll sign up for this next one.

Back to War and Peace. Tolstoy starts in medias res: we’re at a soiree at the home of an upper-class noblewoman, Anna Pavlovna. It’s an easy way to introduce lots of characters, have them express their opinions, and describe them as they enter the party. Napoleon is already on the march, winning battles as he heads towards Moscow. The guests admire him as a heroic soldier but revile him for his assault on Russia. Tolstoy has little use for Napoleon; he appears in the battle scenes as a buffoon. And Tolstoy repeatedly addresses the reader; he wants to make sure that we understand his point of view about history and who gets to tell the story.

There’s lots of up-close history in the novel and those parts are very exciting, but the personal stories of Natasha, Pierre, and Andrei are the beating heart. There are villains and heroes, characters change and grow and we get to live with them and share their travails. Pierre, a lost soul, inherits a huge fortune and becomes an object of desire for a beautiful but depraved and unscrupulous woman. Reader, he marries her, and we ache for Pierre’s mistake. He was my favorite, a tormented soul until…but I won’t give away what happens to Pierre. War and Peace encompasses so much and draws you in very close to the characters. I wouldn’t want to spoil that.

I recently saw a student production of Natasha, Pierre, and the Great Comet of 1812, a musical version of a chunk of the book. I loved revisiting the characters, thinking once again about their complicated lives and loves. If you need a book for those short, gloomy winter days, open up War and Peace and join the party at Anna Pavlovna’s.

The Contributions of Women

roz-w-phoneI was at an exhibit a few weeks ago at Morven–the historic house and museum in Princeton–to see an exhibit about the Bell Telephone Company, whose history is so much a part of twentieth-century New Jersey. The exhibit was especially focused on Bell Laboratories, the R&D arm of AT&T, which has a distinguished history of innovation in the field of telecommunications. Having lived in Monmouth County for many years, I was very much aware of the presence of Bell Laboratories locations all over the county and the milestones in telecommunications that took place there. The first ship-to-shore transmissions took place near the shore and the first transatlantic telephone call was made from Deal Test Site, now a park where you can see the remnants of the old buildings where the research was done. Marconi ran tests in transatlantic radio telegraphy from Atlantic Highlands at the northern end of the Jersey Shore.

Like many large companies in the previous century, diversity in hiring staff at Bell Laboratories was not company practice. No Jews were hired until after World War II and no Blacks were hired until the 1970s. (Bell Laboratories was founded in 1925.) The exhibit at Morven had several panels about the diverse staff who enriched the company’s research and culture. I was very interested in one particular panel about Marion Croak, a Black woman who joined the Labs in 1982. It is quite astounding to me that her name is not more well-known. Here’s the blurb that was next to her photograph:

“Marion Croak began her career at Bell Labs…in the Human Factors research division. She became interested in converting voice data into digital signals, which would allow people to speak via the internet instead of telephone lines. This Voice over Internet Protocol (VoIP) technology allows the videoconferencing that has become commonplace. Today she is a Vice President of Engineering at Google. She holds over 200 patents.”

So there’s no specific book attached to this post, but just a reminder that women’s contributions, and minority women in particular, rarely get the attention they deserve. Lately, there have been a number of books reminding us of this. I probably don’t have to mention Hidden Figures: The American Dream and the Untold Story of the Black Women Mathematicians Who Helped Win the Space Race, and there’s been a spate of books recently about women spies in World War II: American, British, French, and Russian. In researching Marion’s biography, I found that she was inducted into the Women in Technology International Hall of Fame, a site worth looking at.

Correction: The first Black employee at Bell Labs was the engineer W. Lincoln Hawkins. He was hired in 1942.

Here’s a short bio of his career there; the link to the bio is at the end.

“The first Black scientist at Bell Telephone Laboratories in 1942, he had a long and distinguished career as a chemist. His most important innovation was as co-inventor of an additive to stabilize the plastic protective covering of telephone cables, a process that has saved billions of dollars for telecom companies around the world. In addition to 14 U.S. and 129 foreign patents, Hawkins was the first Black inventor to be inducted into the National Academy of Engineering and received the 1992 National Medal of Technology. Hawkins long served as a mentor to young minority researchers. He retired in 1976.” https://life.att.jobs/article-distinguished-black-inventors-history/#:~:text=Lincoln%20Hawkins,distinguished%20career%20as%20a%20chemist.

Till the Wheels Fall Off by Brad Zellar

Till the Wheels Fall OffThe other day I was taking a drive with a friend back to my old neighborhood and we passed a sign, one of those huge LED signs powered by a generator, that announces upcoming roadwork or detours. As I approached it and passed it, the sign broadcast only one message: “FIND ALTERNATE ROUTE.” Was it trying to tell me something?

“Find alternate route” certainly could be the mantra for the main character in Till the Wheels Fall Off by Brad Zellar, a book that takes a deep dive into the insomnia- and ADHD-raddled brain of Matthew Carnap, from childhood into adulthood. When the book opens, Matthew has returned to his dying hometown, Prentice, Minnesota, after trying his luck in the Twin Cities and not doing so well. Matthew’s father died in Vietnam before ever seeing his son, and Matt’s been raised in Prentice by his single mom, with help from his Dad’s brothers, especially Rollie Carnap. Matt’s mother has never recovered from the death of her husband and is well-meaning but inattentive. The heart of the novel is the five years in the 1980s that she spent married to Russ Vargo, who owned Screaming Wheels roller rink. Matt and his mother moved into the small apartment behind the rink. Claustrophobic, certainly, but Matt and Russ developed an intense bond over the music at the rink.

Russ is obsessed with the music of the 70s and 80s, making mixtapes and playing them from the High Tower above the rink and after hours as well, skating late into the night to the sounds of his favorites. He can’t get enough. The nine-year-old Matt, happy to have someone paying attention to him, becomes Russ’s disciple; the music becomes his obsession as well. That’s not a bad thing but it does prevent Matt from thinking about what his life might be like after high school. He hangs around with a stoner named Greenland but manages to avoid trouble. Russ and his mother divorce, leaving Matt feeling stranded and alone once again After high school, for five years he takes to the road in his uncles’ business servicing coin-operated condom machines around the Midwest before giving up the “rubber route” and landing a writing job in Minneapolis.

When he returns to Prentice in his late twenties, empty-handed and depressed, Uncle Rollie sets up an apartment for him in the press box of the high school football stadium. It’s a good start for Matt in putting his life back together. I won’t tell anymore about what happens in the last third of the novel. The writing is wonderful and evocative, nostalgic and full of longing. The Kirkus reviewer said it had “lots of sentence-level snap” and I agree. It was a pleasure to read.

There isn’t much plot until the end and the novel is filled with playlists and Russ’s judgments about which bands are worth listening to. I’ve rarely read a book that does such a good job of conveying the power of popular music on our brains. High Fidelity by Nick Hornby comes to mind, of course, but also Daisy Jones & the Six by Taylor Jenkins-Reid. And especially the memoir Love is a Mixtape: Life and Loss, One Song at a Time by the music critic Rob Sheffield.